| Room | Day | Start Time | End Time |
|---|---|---|---|
PV-1 | Thursday | 15:20 | 16:40 |
| Room | Day | Start Time | End Time |
|---|---|---|---|
PV-1 | Thursday | 16:55 | 18:15 |
At the end of the course work students have the option of completing a thesis or Internship. Additional paperwork available in the office of the Registrar is MANDATORY for registration of the thesis.
Internships are commonly pursued in organizations with sustainable business management, corporate social responsibility, or cross-cultural management initiatives. They are subject to the Program Director’s approval and can be completed in a variety of institutions depending on students’ interests and initiative. The University cannot guarantee placement in an internship but will provide assistance with the internship search. Students must have completed their first semester of MA studies and should contact the Internship Office early for registration purposes.
This team-taught course opens up a historical panorama of European literature stretching from the 18th to the 21st century. It does not pretend to provide a survey of this period but rather showcases a selection of significant moments and locations when literary genres changed or new genres appeared. The idea is to open as many doors as possible onto the rich complexity of comparative literary history. In order to help students orient themselves within various histories of generic mutations and emergences, the professors have put together a vocabulary of key literary critical terms in the fields of narrative structure, style, and rhetoric.
| Room | Day | Start Time | End Time |
|---|---|---|---|
G-L22 | Monday | 12:10 | 13:30 |
G-L22 | Thursday | 12:10 | 13:30 |
In Art of Screenwriting students consider the elements necessary for successful screenwriting practices, with close attention to the theory of screenwriting as influenced by other arts. In particular, a close emphasis of the course is on the art of narrative and the central role played by adaptation of novels in screenwriting practice. Character development, structure, dialogue and conflict are analyzed through exemplary scripting such as in the works of Jane Campion, Roman Polanski and others. The course culminates in a hands-on guided approach to scriptwriting by students.
| Room | Day | Start Time | End Time |
|---|---|---|---|
G-L21 | Monday | 16:55 | 19:50 |
This course essentially happens in the theatres of Paris, exploring the city’s fabulous resources, exchanging with practitioners and scholars from other institutions. We see ways of integrating music, dance and “physical theatre,” innovative explorations of classics from European and non-European traditions, avant-garde masters and the brightest young experimental troupes. We have theatre that directly questions political dilemmas, collective theatre and director-driven theatre, machine theatre and theatre based around great individual actors. Papers done in French or English.
Course fee atttached.
| Room | Day | Start Time | End Time |
|---|---|---|---|
SD-4 | Tuesday | 15:20 | 16:40 |
SD-4 | Friday | 15:20 | 16:40 |
Topics vary every semester.
Pre-requisite: FR 1200
| Room | Day | Start Time | End Time |
|---|---|---|---|
G-002 | Monday | 12:10 | 13:30 |
G-002 | Thursday | 12:10 | 13:30 |