Course Catalog

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THE MUSEUM AS MEDIUM (ES3037)

In the Age of the Enlightenment, the classification and organization of facts and objects gave birth to the concept of the modern 'museum'. This course investigates the construction and communication of national, cultural, and community identities through the medium of the contemporary museum, where material culture is exhibited to express narratives that evoke particular definitions and interpretations of history and values.

PARIS ATTRACTION: MODERNIST EXPERIMENTS IN MIGRATION (ES3043)

Explores the work of Anglo-American modernist writers in Paris, concentrating on the works of Ernest Hemingway, Wyndham Lewis, Gertrude Stein, Djuna Barnes, Jean Rhys, and other writers. Relates their formal experimentation to the visual arts and to the psychic dynamics of exile: the experience of liberation from the constraints of one culture and an alienated relation to the new environment.

ANTHROPOLOGY OF CITIES (ES3061)

Presents an anthropological approach to the study of cities, providing students with theoretical and methodological tools to think critically about the meaning of urban life today. Approaches this topic from a cross-cultural perspective, with a number of readings focusing on Paris in particular. Students will undertake a Paris-based qualitative research project during the course of the semester.

FILMS & THEIR MEANINGS (FM1010)

Students begin with an analysis of basic elements of film language (signs, codes, syntax). They study the technology, economics and politics of the film industry as it has developed in the United States and Europe. In the latter half of the course they will investigate the impact of television, video, computers and digital media in the history of cinema.

FILMS & THEIR MEANINGS (FM1010)

Students begin with an analysis of basic elements of film language (signs, codes, syntax). They study the technology, economics and politics of the film industry as it has developed in the United States and Europe. In the latter half of the course they will investigate the impact of television, video, computers and digital media in the history of cinema.

PRINCIPLES OF VIDEO PRODUCTION (FM1019)

The course is a basic primer on digital video and film making. It introduces students to digital video procedures, equipment, techniques and options, including use of cameras and familiarity with editing systems. Students will become proficient in the use of digital video technology and see how to prepare program material for the web, broadcast and other outlets.

PRINCIPLES OF VIDEO PRODUCTION (FM1019)

The course is a basic primer on digital video and film making. It introduces students to digital video procedures, equipment, techniques and options, including use of cameras and familiarity with editing systems. Students will become proficient in the use of digital video technology and see how to prepare program material for the web, broadcast and other outlets.